Red & Blue Macaw Journal / Notebook - A4
A4 Red & Blue Macaw Journal
Discover the boundless creativity within you with our A4 Red & Blue Macaw Journal! This A4 hardback journal/notebook is not merely a writing tool—it's an invitation to express, imagine, and bring your ideas to life.
Our A4 Red & Blue Macaw Journal features an eye-catching Red & Blue Macaw design on its premium vinyl laminated hardcover, exhibiting a burst of vibrant color. This hardback notebook is sure to add a dash of character to your desk while motivating you to pour out your thoughts, plans, or masterpieces.
Crafted with an elegant, matte finish exterior, this notebook encapsulates style and durability, ready to accompany you in all life's adventures. Inside, you'll discover 64 pages (128 sides) of 90 gsm paper, finely balanced to provide an optimum writing experience.
Personalize your writing journey by choosing either ruled or blank paper for the inner pages. Whether you’re a prolific writer, meticulous note-taker, or a budding artist, our notebook caters to your unique needs.
- Size: 21cm x 29.7cm (8¼in x 11¾in ) in size with a half inch (1.27cm) thick spine for durability and a premium feel.
- Pages: 64 pages (128 sides) of 90gsm paper - perfect for almost any pen type without fear of bleeding or smudging.
- Paper type: Available with plain or ruled paper to cater to your personal preferences.
- Hardback Cover: Sturdy chipboard, overlaid with a visually pleasing vinyl laminate, featuring the unique Red & Blue Macaw design.
- FREE tracked postage!
* Please note that the website images of the A4 Red & Blue Macaw Journal (above) are low resolution for illustrative purposes. The A4 Red & Blue Macaw Journal uses very high resolution images to give the finished notebook a crisp and clear finish.
** The A4 Journal is only available in the UK at present.
The Taylor White Collection
The watercolour painting of the Red & Blue Macaw comes from the collection of Taylor White F.R.S. (1701-1772). In the mid-18th Century, White commissioned the celebrated wildlife painter, Charles Collins (c.1680 - 1744) to paint a number of specimens for his collection. The Red & Blue Macaw was one of the watercolour paintings, which resulted from the collaboration between White and Collins.
Taylor White, a barrister by profession, was a keen naturalist and collector. He commissioned over 900 paintings of birds, mammals, reptiles and fish from the finest painters of his day. He was a Fellow of The Royal Society and founding Treasurer of The Foundling Hospital in London.
The original watercolour of the Red & Blue Macaw is extremely finely painted, with great detail being seen in all of the details of the painting. This depth of colour and detail has been captured brilliantly through the digitalisation process and is replicated for you on this delightful journal.
The Red & Blue Macaw
The Red and Blue Macaw (Scientific name: Ara chloroptera) is a magnificent bird that stands out as the largest member of the Ara genus. These captivating creatures are native to the lush forests and woodlands of northern and central South America, specifically across Brazil, Bolivia, and Paraguay. While their original moniker, "Red & Blue Macaw," was coined by Taylor White during his captioning of a stunning watercolor painting he had commissioned, they are now more commonly referred to as the Red and Green Macaw. This name change stems from the fact that these birds display vibrant red and green feathers, alongside their striking blue plumage.
The Red and Blue Macaw is not only known for its vivid colors but also for its impressive size. These avian marvels can grow up to 90 cm (35 inches) in length, with wingspans reaching up to 125 cm (49 inches). They are known to live for more than 50 years in the wild, making them an enduring presence in their habitat. In addition to their size and longevity, these macaws are renowned for their intelligence and social nature. They form strong bonds with their mates and often gather in large, noisy flocks, displaying their acrobatic skills and chatty behavior.
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